BachmannEckenstein | JapaneseArt are showing in their 11th year in New York as an Affiliate Member of the JADA (Japanese Art Dealers Association), and as a member of Asia Week New York. The respected Swiss dealers show again at Gallery Schlesinger | Franklin Riehlman Fine Art on 73rd.<\/p>\n
Street off Madison Avenue. This year\u2019s focus will be on landscapes: dramatic, idealized, existing and imagined. They all gravitate around the stylistic ideals of Literati painters from the 18th through to the early 20th centuries. Japan\u2019s Literati painters (also known as Nanga or Bunjinga) tried to emulate Chinese scholarly paintings for their ideal of art for art sake, rather than art for mere decoration or profit. Although travel to China was initially forbidden, Woodblock printed books, collections of Chinese paintings within temples, and the occasional itinerant Chinese painter served as educators for this style. In keeping with the principal of the scholar-recluse, they generally declined to serve the samurai class, and instead eking out their living through patronage from educated merchants and farmers. and in the early Meiji period to the new government leaders. They often painted for each other and prided themselves on being intellectuals, poets, tea masters, raconteurs, as well as painters. <\/p>\n
Below are a few highlights from some of the most prominent and interesting of the scholar-painters .
\n\u2022 Ikeno Taiga (1723-1776), a central figure of the second generation of Nanga painters, is
\nrepresented by a dense vertical summer mountain landscape, executed around 1760. The
\nlimited use of color gives a warmth to the roughness of the mountain landscape.
\n\u2022 Kameda Bosai (1752-1826), best known for his calligraphy, in which he received formal
\ntraining. His landscapes are known for their simple compositions, and the spread and the
\nunevenness of the tones of his ink across the surface.
\n\u2022 Hine Taizan (1813-1869) called himself a professional Meiji literati painter; he was not only
\none of the leading literati masters of his time, but also one of the best landscape artists.
\n\u2022 Yamanaka Shinten’o (1822-1885) a self-taught versatile artist who was very well connected
\nin the Kyoto literati world, he wasn\u2019t only a participant, but also an important patron. His
\nstyle typically shows landscapes with strong distortions and bold brushwork, primarily with
\njust black ink, and only rarely with hints of other color. He made his own seals and an
\nexceptionally wide range of them are used on his works.
\n\u2022 Tomioka Tessai (1836-1924) is another self-taught artist, but inspired by various known
\nartists of his time including Shinten\u2019o. He reached his pinnacle in old age.
\n\u2022 Fukuda Kodojin (1865-1944) Stephen Addiss has described him as \u201cthe last great Nanga
\npainter\u201d and is readily identifiable easy by his erratic brushwork and radical form as in this
\neccentric waterfall landscape. <\/p>\n","protected":false},"excerpt":{"rendered":"
BachmannEckenstein | JapaneseArt are showing in their 11th year in New York as an Affiliate Member of the JADA (Japanese Art Dealers Association), and as a member of Asia Week New York. The respected Swiss dealers show again at Gallery Schlesinger | Franklin Riehlman Fine Art on 73rd.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-39545","post","type-post","status-publish","format-standard","hentry","category-up-to-date-news-on-everything-asian"],"_links":{"self":[{"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/posts\/39545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39545"}],"version-history":[{"count":1,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/posts\/39545\/revisions"}],"predecessor-version":[{"id":39546,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=\/wp\/v2\/posts\/39545\/revisions\/39546"}],"wp:attachment":[{"href":"http:\/\/www.asianinny.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39545"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.asianinny.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}