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<\/a><\/p>\nDonald Richie on Muddy River:
\n“Whether this unsentimental, black-and-white movie about the friendship of two little boys in post-World War II Japan is a harbinger of a renaissance of the once-eminent Japanese film remains to be seen. But without doubt, the success of Muddy River, financed by the film-struck president of an iron-working plant and at first unable to find a distributor, serves to expose the prolonged decline of an industry whose achievements once stirred international praise.” (Excerpted from an article by Richie in The New York Times.)<\/p>\n
Kohei Oguri (1945- ) affectionately portrays the friendship of children facing the harsh reality of social discrimination. The protagonist, a nine-year-old boy, grows up in a warm and loving working-class family. He befriends a boy and his sister living on a houseboat where their mother works as a prostitute. Takako Shigemori’s screenplay is based on Teru Miyamoto’s novel and the details of the children’s everyday lives are superbly captured by Shohei Ando’s cinematography.<\/p>\n