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<\/a>\nStarring Tatsuya Nakadai<\/p>\n
NEW 4K RESTORATION<\/p>\n
BEST FILM OF THE YEAR, NATIONAL SOCIETY OF FILM CRITICS<\/p>\n
(1985) Literally, Chaos\u2026 Resting after a wild boar hunt among spectacular green mountainscapes, 16th\u00a0century\u00a0daimyo\u00a0Tatsuya Nakadai (Harakiri, High and Low, The Human Condition, etc. etc.) decides to divide his domain among his three sons, instructing them with a parable: individually, three arrows can easily be broken; together, they are strong. And then\u2026 A giant battle between color-coded armies is fought solely to the great Toru Takemitsu\u2019s plaintive music, culminating in a single gunshot; an entire castle burns to the ground, as Nakadai\u2019s glassy-eyed Lord Hidetora staggers down its steep stone steps; an ice-cold, knife-wielding seducer stops post-coitus to squash a moth (Mieko Harada’s tour de force scene garnered laughter, cheers, and applause from hardened New York Film Festival audiences at the U.S. premiere); Hisashi Igawa\u2019s plotter is so steeped in betrayal that, dared to switch sides, he cries, \u201cWhere could I go?;\u201d a blind man teeters on the verge of a precipice he can only sense. A decade-long dream (he had storyboarded the entire film in his own watercolors), Kurosawa’s adaptation of Shakespeare\u2019s\u00a0King Lear\u00a0proved the master’s flair for epic sweep and stylistic innovation undimmed at the age of 75, the culmination of his career. Clarified Kurosawa, “I said culmination, not conclusion.” Four Oscar nominations, including Best Director, Cinematography, and Art Direction, with Emi Wada winning for her dazzling, three-years-in-the-making costumes.\u00a04K DCP restoration. Approx. 162 mins.<\/p>\n