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<\/a><\/p>\nOne of the most transitory lived spaces, the hotel room, becomes the vehicle that transposes a sprawling tapestry of stories in Eric Khoo\u2019s vision of the history of Singapore. The film is anchored as a posthumous tribute to Singapore writer-musician Damien Sin, also the scriptwriter for Khoo\u2019s first feature Mee Pok Man.<\/p>\n
Starting off from the advent of Singapore\u2019s occupation in 1942, two men meet for the last time in the hotel room before the Japanese arrive. In the \u201870s, a band celebrates New Year\u2019s Eve fiercely in an orgiastic drug fueled party. Decades pass as stories unfold within the same hotel room. Reflecting Singapore\u2019s history as an entrep\u00f4t, characters of diverse backgrounds and nationalities find themselves in the hotel room, as a spirit watches on, drawn to the suffering and tragedies expressed within it.<\/p>\n
In the Room contains all the hallmarks of Eric Khoo\u2019s oeuvre \u2013 a distilled nod towards his love for horror, an empathetic approach towards cruelty, and the constant search for the transitory moments of human tenderness. It is perhaps his most ambitious and personal feature film, and the perfect bookend to a year of jubilee celebrations.<\/p>\n
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