Two amorous figures sit seaside, intimately entwined on a cozy bamboo banquet and making music from a shared shamisen. With nearly identically coiffed tresses, flowing robes and delicate, demure features, the figures seem paradigms of female beauty in classical Japanese art. But any observer from the Edo period (1603-1868) would have immediately recognized that one figure is a maiden and the other is a wakashu — male adolescents who were objects of sexual desire for both men and women. [Read More]